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Mary Shelley
(1797-1851)
"...yet still the words of the fiend rung in my ears like a
death-knell, they appeared like a dream, yet distinct and oppressive
as reality" (Victor Frankenstein in Frankenstein, or the Modern
Prometheus)
Mary Shelley was the daughter of William Godwin, the foremost English
writer on the French Revolution and his wife Mary Wollstonecraft.
Her life was hard from the start, even before outrage at her nerve
for publishing a book so scientifically dissident as Frankenstein
while being a woman. Her mother - the author of the proto- feminist
work Vindication of the Rights of Women (1792) - died only days
after Mary's birth. Even her name, Mary Wollstonecraft Godwin, showed
the considerable intellectual weight placed on the young girl from
the outset. It was a burden that she retained, eloping and subsequently
marrying Percy Bysshe Shelley, one of the foremost Romantic poets.
Mary was educated at home by her father and, perhaps unsurprisingly,
encouraged in literary pursuits and given considerable intellectual
reading matter from Godwin's own library. Indeed, Godwin published
Mary's light verses Mounseer Nongtongpaw; or the Discoveries of
John Bull in a trip to Paris in 1808. It was on 11th November 1812
that Mary met Percy Shelley, then only twenty years old. Shelley
was visiting her father (whom he admired) accompanied by his wife
Harriet. They met again in May 1814. Mary was by this time seventeen
and fascinated by Shelley. They were mutually attracted, and Shelley
much admired her not only for her appearance and her parents' reputations,
but also for her intellectual interests that far outweighed those
of Harriet.
Mary and the Percy eloped on 28 July 1814 to a France still recovering
from defeat in war. This period would provide material for Mary's
second book, History of a Six Weeks' Tour Through a part of France,
Switzerland, Germany and Holland. No doubt, it also inspired the
brilliantly described and evocative landscapes of Frankenstein.
The couple were ruined upon their return by disapproving parents
on both sides who cut down their allowances until the creditors
were upon them. Worse, Percy's second child by Harriet was born
in November and Mary herself had become pregnant. She lost her child,
Clara, mere weeks after her birth on 6 March 1815 and almost immediately
became pregnant with William who was born in 1816.
Shelley had become seriously ill, and only late in 1815 did he recover
somewhat.
Between 1815 and 1819, Mary lost three of her four children. In
the same period, Fanny Imlay and Harriet Shelley committed suicide,
replacing the cold intellectual life of her youth with misery and
death. Frankenstein, is a work centred around the concept of the
family, albeit so often a failed one. Each unit, from the explorer
with paternal reverence of Victor Frankenstein to Victor's own relationship
with his creation represents a familial bond. Mary's fascination
with scientific radicalism in the book brought her criticism and
she was forced to bowdlerise her own book for later editions.
Subsequent works such as Mathilda (1819) and Valperga (1823), a
14th century romance, were less successful but are now finally receiving
the critical acclaim that they deserved. The Last Man (1826) - tied
up in the deaths of Shelley and Byron - is a particular success.
It takes place on a vast scale and moves through the destruction
of humanity by war and plague until only one man remains. A lesser
work to the seminal Frankenstein it may be, but it is still an affecting
and conceptually powerful book. Significantly, the deaths of the
Byron and Shelley characters are not from the plague that wipes
out the rest of humankind but follow the tragedies of their real
lives.
At the time, like many of Mary Shelley's works, it was mocked on
the grounds of its author's gender ("The Last Woman" was
the cruel and chauvinistic title of one review). Now, the fact that
Mary's genius equalled that of her husband, father, and mother is
finally being acknowledged. The shameful misrepresentation of her
work is gradually being rewritten to credit her with her true place
as a founding mother of science Fiction and writer of considerable
powers.
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